Collaborators on DAVID LYNCH The writer Mark Frost on David Lynch: "[Mulholland Drive] started as a conversation David and I were having about a sequel to Twin Peaks. We wanted to take the Audrey Horn character, played by Cheryl, to Hollywood. I proposed Mulholland Drive, which I lived on, as a title. He sold it as a pilot to ABC and then convinced the French that if he shot 45 more minutes, he could make something out of it. I haven't seen it. I heard it was a mess. I knew that the pilot was a mess.  | Currently watching :
The Short Films of David Lynch
Release date: 10 January, 2006  |
3:28 AM - 0 Comments - 0 Kudos - Add Comment - Edit - Remove "David's strength and weakness is that he is often able to transcend story because he's such a master creating mood. His failing is that he's not a strong storyteller. He doesn't have a lot of interest in telling a story. He's not as interested in character as fragments of personality. He's a surrealist." Luke: "He's got a great eye for hot looking women." Mark smiles: "That was always one of his strengths. The mistake that people make about David is that they assume he's an ironist [saying the opposite of what he means]. He's not. He's a sincere simple guy. He doesn't work things out. He's not that good in logic. When people spend a lot of energy trying to figure out exactly what he meant by Mulholland Drive, I can assure you that he didn't know. "I exchanged emails with [critic] Roger Ebert at one point. He was conducting an online seminar about the meaning of Mulholland Drive. David works like a painter. He throws a canvas up there and you interpret it any way you want. He doesn't have a strong point of view. It's about sensation and feeling and arousing emotions." | 
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